Know Your HBS Staff: Merrick Nelson
by Shona Simkin As a unit administrator in the Division of Research and Faculty Development, Merrick Nelson helps Faculty Support Specialists (FSSs) and faculty adjust to working at Harvard Business School (HBS) and through various inflection points of their careers. Merrick is also a classically trained violist. We asked him about his work, his life as a musician, and what else he likes to do in his spare time (hint: it’s shockingly cold). Where are you from? Tell us about your path to HBS. That was the beginning of my higher education administration work. I really liked the role and being involved in higher education. My own time in college was great, so I liked being part of making that happen for others. I was there for almost five years. In 2015, I heard about the FSS position at HBS. I knew the Harvard name and really wanted to be part of that community, and was lucky enough to get that job. After a few years I transitioned to this role as a manager. It's very interesting ending up at a business school, which is probably about as far away from a classical music performance degree as you can get! What does your work look like on a day-to-day basis? I help new faculty get settled at HBS and learn about the School and available resources and different departments. I also work with faculty at different inflection points during their career, helping them navigate different things such as the promotion process. My role is sort of being a go-between, a middle person helping the faculty figure out where to go, who to talk with, and how to get things answered. What is something that you particularly love about your job?
How did you start playing the viola? After college I auditioned for just about every orchestra to land a permanent job. I did that for years, taking gigs while auditioning. It was not a financially stable lifestyle, and I reached the point where I realized it was not working. It was tough because I felt like I was giving up on something that I spent years of college education and money on—was it all a waste of time? But I started to realize that I could go back to why I did it in the first place. I found what I enjoyed about it, and played for myself again. Now I can choose gigs and concerts or teaching because I want to do it, as opposed to needing to do it. It's been empowering to come back to the mentality of doing it for myself. I'm looking forward to the HBS Art Show because I haven't performed in quite some time. This setting is perfect for me—in classical music you typically perform in a big concert hall with the audience in the dark, and for me music is about connecting with people. It gives my music more meaning to be in a space with people walking around, listening to me play, and coming up to me to talk. Does your classical music background play into your role at all? What else do you like to do in your spare time? During the pandemic, I picked up a fun hobby—well, fun is in the eye of the beholder—but I started doing cold plunges. I got into it when I realized that I have lived in the Northeast my whole life, yet I've always hated winter and don't do any winter sports. It’s very cheap, since the starting place is taking cold showers. I’ve recruited some HBS folks to go with me to Walden Pond in the colder months to swim around for a minute or two. It’s really fun—there are all kinds of health benefits, and the community aspect of it has been really enjoyable. It's a lot easier to do it when there's a group of people, particularly if there’s anyone around looking at you strangely! |
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